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Photograph: Sportsphoto Ltd/Allstar She carried her Fifty Shades persona over to Twitter, cracking jokes about mistaking a nipple clamp for a broochĭr Grace Trevelyan Grey is an elegant paediatrician who is the only person unafraid of the squillionaire sadist at the centre of EL James’s novel and the movie franchise. Tempestuous … Harden with Ed Harris in Pollock, for which she won the best supporting actress Oscar.
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Most recently, she reaffirmed that strength in the CBS hospital series Code Black, in which she saves life and limb as gung-ho hero Leanne Rorish, and in the Fifty Shades of Grey films, where she makes fleeting appearances as Christian Grey’s adoptive mother. Strong women have been a feature of Harden’s career, from the comically steadfast fiancee of Robin Williams’ scatty professor in the sci-fi comedy Flubber (1997) to the tempestuous Lee Krasner, wife of abstract expressionist artist Jackson Pollock, a role that won her a best supporting actress Oscar in 2001 for the biopic Pollock. In Sweet Bird or Albee’s Who’s Afraid of Virgina Woolf, they created powerful parts for women, but “I was thinking: in order to be a strong woman, did you have to be a monster at that time?” The trap, she believes, is to play Del Lago as an out-and-out monster, though she often appears to be one, and she comes from a line of mid-20th century monsters created for the stage by writers such as Williams and Edward Albee. The greatest tragedy of humanity is our awareness of our own mortality, and ageing is the clock ticking.” She cites Del Lago’s lament: “I’ve been accused of having a death wish, but I think it’s life that I wish for, terribly, shamelessly, on any terms whatsoever.” I believe what he’s actually writing about is loss, and that’s a more profound thing to play. “There is an inevitability in ageing and to think one is going to bypass the effects is immature and shallow. While conceding that “the issue is of course still pertinent: in Hollywood, where are the roles for older women?”, Harden is adamant that the play has to be more than a whinge about wrinkles and thinning hair. “If you think about old Hollywood, Del Lago would have been doing her leading roles during her 20s and 30s and probably would have felt washed up in her late 40s,” she muses. Harden is 57 and performing, in Jonathan Kent’s Chichester festival theatre production, opposite her 35-year-old compatriot Brian J Smith. In the 1959 premiere, directed in New York by Elia Kazan, Del Lago was played by Geraldine Page, who was not yet 40 (and only a year older than Paul Newman, who partnered her as the much younger Chance). ‘In Hollywood, where are the roles for older women?’ … Marcia Gay Harden Photograph: Sarah Lee/The Guardian